The new original series “Murder in Mahim,” available on JioCinema, is a gripping crime thriller inspired by Jerry Pinto’s novel. The narrative revolves around the horrific murder of a gay sex worker, discovered in a public toilet at Mumbai’s Mahim railway station. Featuring well-known actors Vijay Raaz and Ashutosh Rana, the series adeptly intertwines a classic crime story with social commentary, prioritizing the strength of its performances throughout the investigation.
Across its eight episodes, Raaz’s character, a police inspector, and Rana’s role as a former journalist—friends now estranged—approach the investigation from their unique perspectives. The journey through LGBTQ-friendly clubs, vibrant parties, and the less-visible corners of Mumbai reveals the dark and often frightening world of gay prostitution. The show thoughtfully explores the challenges faced by sex workers, portraying their struggles with sensitivity.
Initially, “Murder in Mahim” may appear somewhat drawn out and predictable, featuring familiar plot devices and overt social messaging. However, patience pays off, as the series evolves into a captivating artistic expression marked by impactful performances. By the third episode, viewers will find themselves engaged in a narrative that artfully navigates complex themes.
The series reveals various layers of homophobia and abuse—from derogatory name-calling and blatant prejudice to horrific acts like honey trapping, where queer individuals face blackmail without any support from authorities. “Murder in Mahim” sheds light on how deeply entrenched homophobia permeates different social strata, highlighting the plight of marginalized individuals forced into prostitution, as well as the fears of more privileged individuals who remain in the closet. The portrayal of queer lives is handled with nuance, steering clear of exaggerated or melodramatic depictions.
A particularly poignant scene captures the anxiety of two lesbian lovers as their parents, unaware of their daughters’ sexuality, arrive unexpectedly. The characters’ reactions are portrayed with authenticity and grace, effectively normalizing queer experiences.
However, the series occasionally plays it safe, particularly in depicting the discomfort of Rana’s character, Peter Fernandes, and his wife regarding their son’s potential homosexuality. Initially, their apprehensions serve as a stereotypical representation of misguided parental reactions, but they develop towards a more supportive understanding by the series’ conclusion.
Beyond the central theme of homosexuality, “Murder in Mahim” touches on the intricacies of father-son relationships, presenting a refreshing take that is rarely explored in Indian cinema. The dynamic between Raaz’s character, Shiva, and his estranged father, portrayed by Shivaji Satam (famed for ACP Pradyuman in C.I.D), as well as the growing distance between Shiva and his teenage son, conveys a heartfelt portrayal of familial love. These interactions often evoke smiles, reminiscent of the charming dynamics seen in films like “Piku.”
One particularly memorable moment occurs when a police officer discovers his son’s adult magazines. Instead of responding harshly, he addresses the situation with understanding, showcasing the understated tenderness inherent in a father-son relationship.
“Murder in Mahim” also critiques sensationalism in the media and the negligence of law enforcement, showcasing how distorted narratives contribute to rampant homophobia. A striking scene depicts the press labeling an elderly man as a pedophilic monster based solely on conjecture, illustrating the ethical lapses often seen in real-life journalism.
Despite the intense themes explored throughout the series, the creators balance heavy moments with comic relief to engage a wider audience. This thoughtful approach makes complex social issues more accessible to viewers who may not usually engage with critically acclaimed cinema. The series strives to communicate important messages while remaining engaging and relatable, without simplifying the underlying issues.
Although “Murder in Mahim” may lag in its initial episodes, the powerful narrative, compelling performances, and striking cinematography ensure that it gradually captivates its audience.
